With only 10 more days until Christmas I finally present for your Yuletide enjoyment... the "Shitter Was Full" Jamaican Christmas Mix 2011! As I discussed earlier this month, it wasn't easy coming up with a good selection this year, due partly to the fact that I used every track off Jacob Miller's Christmas album about 2 years ago and because I didn't want to include a bunch of crap. But you're not here to hear me complain you're here for the mix so let's get to it!
We start off the 2011 Jamaican Christmas Mix with tenor sax superman Dean Fraser and his rendition of the traditional English Christmas carol "Deck The Halls." This one comes from the Blue Mountain Christmas Party from 1989 on the Blue Mountain label and it's the perfect festive tune to get things rollin'!
Next we get a little wacky with a tune from the Wackies stable... this one is by the man John C and it was unceremoniously ripped from the Wackies Reggae Christmas LP. Mr C gives us a nice interpretation of "We Three Kings" another traditional Christmas carol done inna Wackies reggae style!
Ken Boothe is up next with a good one... this song is called "This Christmas" and it comes from the Sonic Sounds 1990 CD Vintage Christmas. Good vibes on this one that is sure to put a smile to your face... Ken Boothe's smooth voice has a way of doing that regardless of the time of year!
The organ maestro Glen Adams follows up Mr. Boothe with a tune that absolutely kicks ass! A bad ass song called "Joyful Tidings" which is in fact a hardcore roots version of God Rest Ye Merry Gentlemen! Reggae Christmas at its finest! This little gem is off a 7" on the Clocktower label.
Next we're taking a trip from downtown straight uptown with Byron Lee & The Dragonaires giving us a smooth violin embellished version of Doris Day's Winter Wonderland... called appropriately enough "Winter Wonderland Reggae" and lifted from the 2005 various artists CD called The Reggae Christmas Collection on the Pulse label.
Sticking with the cold weather theme here and taking it ska with the next track is the king of the trombone Don Drummond and a sweet tune from 1963 called "Snowboy" on the Island label. Not an obvious Christmas tune but the Snowboy title brings to mind good ol' Frosty the Snowman... I think you'll dig it!
Barrington Levy is up next with a song that I've held back from using for a few years now... it's called "Flash Your Dread" telling the tale of riding his Honda CB 400 with his dreadlocks flying in the breeze sung to the tune of Jingle Bells!
Trinity finishes this track on the same riddim with his DJ verse on "Flash Your Dread." Trinity gets a little more involved with including the Christmas vibe and it makes for a pretty wicked DJ tune! This track and the Barrington Levy ahead of it were both from the 1983 LP Yard Style Christmas on the MC Productions label.
Hopping over to Studio One for the next track. This smooth number comes from Johnny Osbourne and Jennifer Lara... it's called "Christmas Medley" and was borrowed from the Studio One LP Christmas Stylee from the late 70s... you can't go wrong with a Coxsone Christmas Carol which comes complete with a wicked version as well!
Horace Andy is up next with "Hark The Herald" which is incorrect because it's actually "The First Noel"... his take on the classic Christmas fare from the 18th century and covered and sung ad nauseum every Christmas since we were born. Mr. Andy does a good job with this one and it sure as hell beats any other version I have of this song... that includes you Mr. Sinatra!
Giving the mix a little "punch" is the man D.D. Dennis with a soulful and heartfelt sentiment called "Christmas Message." This one is from a 1971 7" on the Punch label.
Jumping back over to the aforementioned Reggae Christmas Collection on the Pulse label is Wain Nelson with a musical tribute to the jolly ol' elf that makes Christmas so much fun for kids all over the world... obviously it's called "Santa Claus."
Going from Santa to the booze, which just so happens to be one of my favorite Christmas traditions as an adult... and taking this runaway sleigh on a calypso path is Egbert Moore AKA Lord Beginner and a lighthearted hangover tune called "Christmas Morning The Rum Had Me Yawning." This baby comes from a CD called Where Will You Be Christmas Day? on the Dust To Digital label. Raise a glass of cheer to fully enjoy this one!
Raymond Harper is up next with his ska take on Irving Berlin's classic "White Christmas." This is an awesome tune that came off a 7" on the Doctor Bird label circa '63 or '64. The mellow horns combined with the upbeat ska bounce makes for one helluva Christmas tune! I could listen to this one on a loop for hours!
The man Jimpy is up next with a nice take of "Santa Claus Is Coming To Town" sung more in a Jackson 5 style than that of Bing Crosby. This one comes from a late 80s 7" on the Studio Starr Gate label. I could find no substantial proof but I would assume this Jimpy is the same Jimpy Haldane who produced a ton of good stuff back in the mid-80s!
I don't know where the next track has been hiding for the last couple years but here it is... Ripton Hylton AKA Eek A Mouse with his take on "Long Time Ago In Bethlehem" which Ripton entitled "Merry Little Xmas" and from his greatest hits compilation CD on the Shanachie label called The Very Best Of Eek A Mouse Vol. 2 It's actually pretty nice.
Niyah and The Sunflakes are up next with an upbeat number called "Merry Christmas" from a 1969 45 on the Sonet label. This is one of those tunes I came across this summer and though the pressing is not perfect I think you'll get the gist.
Its been a couple years since I featured anything by Lloyd Lovindeer but this drought is about to end... rippin' it up inna rub-a-dub style and taken from a 1982 7" on the Weed Beat label this one is called "Christmas Feeling." This too is one that I dug up this summer... kind of weird but I bought about 95% of my Christmas music in July and August... you can't say I wasn't planning ahead!
Don Carlos and Glenice Spencer give us "Jingle Bells" from the 2003 Trojan Christmas CD boxset on the Trojan label of course. There is something so funny about hearing Don's sweet voice singing songs of sleigh bells instead of Dice Cups and Dance Gates.
You remember a couple years back when I included Mutabaruka's "Postpone Christmas?" This one throws a bit of reality back into the Christmas season by wondering why Santa never visits the ghetto and praising Rastafari all at the same time... it's called "Dedicated To Santa" by Tippa Lee, Nardo Ranks, Half Pint and David Brevett and comes from a 7" on the Studio One label, circa 199os.
Staying with Studio One but goin' old school again... The Silvertones are up with a real scorcher on the classic Swing Easy riddim and borrowed from the Studio One LP Christmas Stylee. It also includes a bad-ass version at the end that I think you'll dig.
Dennis Brown is up next with "Ding Dong Merrily On High" from the various artists album 8 Stars For Christmas on the Josiah label. This is a super cool tune from Dennis Brown - probably one of my favorites on this years mix!
Sticking with the Ding Dong theme for the next track. Gregory Isaacs gives us a severely digital tune called "Ding Dong Bell." This little baby comes from the LP Christmas Party on the Jammys label and produced by the great King Jammy from the late 80s. Not Gregory's best Christmas offering but not bad either!
Sticking digi with the next one... the man Junior Roots and his tune "Christmas Time Again" from the Sugar Minott produced LP Youth Promotion Christmas Jamboree is the twenty fourth tune in the mix on the Youth Promotion label. Nice smooth tune...
Finally, we're wrapping it up with Owen Gray with the song "Collins Greetings" released as a 7" in 1967 on the Collins Downbeat label. I really wanted to end the mix on a high note and I think the old school vibes from this tune get the job done pretty well.
Give it a listen and have a very Merry Christmas! Lots of love everyone!
The Complete Jamaican Christmas Mix 2011
Here's the tracklisting minus the verbiage...
1. Dean Fraser - Deck The Halls
2. John C - We Three Kings
3. Ken Boothe - This Christmas
4. Glen Adams - Joyful Tidings
5. Byron Lee & The Dragonaires - Winter Wonderland Reggae
6. Don Drummond - Snowboy
7. Barrington Levy - Flash Your Dread
8. Trinity - Flash Your Dread (DJ Version)
9. Johnny Osbourne & Jennifer Lara - Christmas Medley
10. Horace Andy - Hark The Herald
11. D.D. Dennis - Christmas Message
12. Wain Nelson - Santa Claus
13. Lord Beginner - Christmas Morning The Rum Had Me Yawning
14. Raymond Harper - White Christmas
15. Jimpy - Santa Claus Is Coming To Town
16. Eek A Mouse - Have A Merry Little Xmas
17. Niyah & The Sunflakes - Merry Christmas
18. Lovindeer - Christmas Feeling
19. Don Carlos - Jingle Bells
20. Tippa Lee, Nardo Ranks, Half Pint & David Brevett - Dedicated To Santa
21. Silvertones - Merry Merry Christmas
22. Dennis Brown - Ding Dong Merrily On High
23. Gregory Isaacs - Ding Dong Bell
24. Junior Roots - Christmas Time Again
25. Owen Gray - Collins Greetings
Wednesday, December 14, 2011
Monday, December 05, 2011
The Ghosts Of Christmases Past...
Here are the Jamaican Christmas Mixes from previous years... 125 songs in total and with a combined running time of around 7 hours, there's enough here to keep you reggae-ing around the Christmas tree all month long!
The 2006 Jamaican Christmas Mix
1. Carlene Davis – Santa Claus (Do You Ever Come To The Ghetto)
2. King Stitt – Christmas Tree
3. Johnny Osbourne – Christmas Stylee
4. The Joe Gibbs Family – We Three Kings
5. Gregory Isaacs – Christmas Behind The Bars
6. Yellowman – Where Is Santa Claus?
7. Eek A Mouse – Christmas A Come
8. Cocoa Tea - Christmas Is Coming
9. The Aggrovators – Santa Claus Dub
10. Ras Pidow – Winter Storm
11. The Wailers – White Christmas
12. Toots & The Maytals – Christmas Feeling Ska
13. Alton Ellis & The Lipsticks – Merry Merry Christmas
14. Jacob Miller – On The Twelve Days Of Ismas
15. Trinity – Video Christmas
16. Eek A Mouse – The Night Before Christmas
17. Michael Palmer – Happy Merry Christmas
18. The Granville Williams Orchestra – Santa Claus Is Ska-Ing To Town
19. Tiger – Tiger Claus
20. Freddie McGregor – O Come Let Us Adore Him
21. Dillinger – Hi Fashion Christmas
22. Jacob Miller – Deck The Halls
23. Trinity – All I Want For Christmas
24. The Ethiopians – Ding Dong Bell
25. Rico And His Boys – Silent Night
The 2007 Jamaican Christmas Mix
1. Jacob Miller - All I Want For Ismas
2. Horace Andy - Christmas Time
3. The Aggrovators - Santa Claus And The Aggrovators Conquer The Martians Inna Holiday Rockers Style
4. Kingstonians - Merry Christmas
5. Cocoa Tea - Please Come For Christmas
6. Mutabaruka - Postpone Christmas
7. Brent Dowe - Christmas In Jamaica
8. Steve Golding - Strictly Rock Christmas
9. Kashief Lindo - Someday At Christmas
10. Frank Cosmo - Merry Christmas
11. Al & The Vibrators - Merry Christmas
12. Lovindeer - It's Christmas Time Again
13. Jackie Mittoo - Joy Joy
14. The Cimarons - Holy Christmas
15. Ringo - Christmas Time
16. Little Kirk - Gee Whiz
17. Half Pint - Christmas Vibes
18. Gregory Isaacs - White Christmas
19. John Holt - Winter World Of Love
20. Sugar Minott - Christmas Jamboree
21. Peter Broggs - Twelve Days Of Christmas
22. Barrington Levy - Christmas Day
23. The Wailers - Sound The Trumpet
24. Little John - Save A Little For Christmas
25. Ernest Wilson - We Wish You A Merry Christmas
The 2008 Jamaican Christmas Mix
1. Nigger Kojak - Christmas Style
2. Bunny & Skully - White Christmas
3. Lord Nelson - Party For Santa Claus
4. The Wailers - Go, Tell It On The Mountain
5. Frankie Paul - Merry Christmas
6. Alton Ellis - Christmas Coming
7. Glen Adams - Xmas Rock
8. Michigan & Smiley - Little Drummer Boy
9. Desmond Dekker & The Aces - Christmas Day
10. Iron Phoenix - Natty Dread Christmas
11. Gregory Isaacs - It's Christmas Time Again
12. Johnny Clarke - I Saw Mommy Kissing Santa Claus
13. Winston Groovy - Merry Christmas
14. Jacob Miller - Silver Bells
15. Ray I - Natty No Santa Claus
16. Jah Walton - DJ Christmas
17. Toots & The Maytals - Happy Christmas
18. Horace Andy - Oh Little Town Of Bethlehem
19. The Silvertones - Bling Bling Christmas
20. Freddie McGregor - Irie Christmas
21. Charley Fresh - Jam Down Christmas
22. Tippa Lee & Rappa Roberts - Christmas Is Coming
23. Hortense Ellis - Black Christmas
24. Trinity - African Christmas
25. Richard Ace - Joyful Reggae
The 2009 Jamaican Christmas Mix
1. Tristan Palmer - Christmas Jamboree
2. Roman Stewart - Christmas Affair
3. Frank Cosmo - Greetings From Beverley's
4. General Trees - Santa Claus Is Comin' To Town
5. Jackie Edwards - White Christmas
6. Shorty The President - Christmas Fair
7. Norman T. Washington - It's Christmas Time Again
8. Colin Roach & Anthony Malvo - Merry Christmas
9. J.C. Lodge - Joy To The World
10. Lloyd Seivright - Mary's Boy Child
11. Lui Lepke - Christmas Season
12. Winston Francis - Here Comes Santa
13. Verna Lee Powell - He Is My Santa Claus
14. Sandra Robinson & Lee Scratch Perry - Merry Christmas, Happy New Year
15. Ringo - Never Forget Christmas
16. Sonny Bradshaw - Peace And Love
17. Barry Brown - Christmas Christmas
18. Anthony Selassie - Rub A Dub Christmas
19. Hopeton & Primo - Peace On Earth
20. Tennessee Brown & The Silvertones - Jingle Bells
21. Don Cornell & The Eternals - Christmas Joy
22. Gable School Choir - Reggae Christmas
23. Neville Willoughby - Christmas In JA
24. Rupie Edwards - Christmas Rush
25. Go Home Productions - Karen Meets Roots Radics Uptown
The 2010 Jamaican Christmas Mix
1. Barrington Levy - Once A Year
2. Jah Thomas - Christmas Shopping
3. Tennessee Brown & The Silvertones - Little Drummer Boy
4. Gregory Isaacs - The Christmas Song
5. Sachmoore - Wuh You Got To Gimme For Christmas
6. Leon Danger & Mr. Culture - This Christmas
7. Chris Wayne - Silver Bells
8. Cedric Bravo w/Rico & The Five Stars - Merry Christmas
9. Norman T. Washington - Happy Christmas
10. Norman T. Washington - Happy Christmas Version
11. The Silent Choir - Silent Night
12. Alton Ellis - Praise Jah It's Christmas
13. Trinity - Santa Claus Comes Once A Year
14. Shinehead - Reggae Christmas Medley
15. Tyrone Taylor - Winter Wonderland
16. Admiral Bailey - Christmas Style
17. Ruddy Thomas - Reggae Happy Christmas
18. Tony Tuff - Christmas Irie
19. Little John - It's Christmas Time
20. Triston Palmer - Oh Holy Night
21. Arcanians - Christmas In Jamaica
22. Alton Ellis - Joy To The World
23. Delroy Melody - Christmas Time
24. King Everald - Santa Claus
25. Cimarons - Silent Night/White Christmas
Stay tuned for the all-new 2011 Christmas Mix - Coming Soon!!
1. Carlene Davis – Santa Claus (Do You Ever Come To The Ghetto)
2. King Stitt – Christmas Tree
3. Johnny Osbourne – Christmas Stylee
4. The Joe Gibbs Family – We Three Kings
5. Gregory Isaacs – Christmas Behind The Bars
6. Yellowman – Where Is Santa Claus?
7. Eek A Mouse – Christmas A Come
8. Cocoa Tea - Christmas Is Coming
9. The Aggrovators – Santa Claus Dub
10. Ras Pidow – Winter Storm
11. The Wailers – White Christmas
12. Toots & The Maytals – Christmas Feeling Ska
13. Alton Ellis & The Lipsticks – Merry Merry Christmas
14. Jacob Miller – On The Twelve Days Of Ismas
15. Trinity – Video Christmas
16. Eek A Mouse – The Night Before Christmas
17. Michael Palmer – Happy Merry Christmas
18. The Granville Williams Orchestra – Santa Claus Is Ska-Ing To Town
19. Tiger – Tiger Claus
20. Freddie McGregor – O Come Let Us Adore Him
21. Dillinger – Hi Fashion Christmas
22. Jacob Miller – Deck The Halls
23. Trinity – All I Want For Christmas
24. The Ethiopians – Ding Dong Bell
25. Rico And His Boys – Silent Night
The 2007 Jamaican Christmas Mix
1. Jacob Miller - All I Want For Ismas
2. Horace Andy - Christmas Time
3. The Aggrovators - Santa Claus And The Aggrovators Conquer The Martians Inna Holiday Rockers Style
4. Kingstonians - Merry Christmas
5. Cocoa Tea - Please Come For Christmas
6. Mutabaruka - Postpone Christmas
7. Brent Dowe - Christmas In Jamaica
8. Steve Golding - Strictly Rock Christmas
9. Kashief Lindo - Someday At Christmas
10. Frank Cosmo - Merry Christmas
11. Al & The Vibrators - Merry Christmas
12. Lovindeer - It's Christmas Time Again
13. Jackie Mittoo - Joy Joy
14. The Cimarons - Holy Christmas
15. Ringo - Christmas Time
16. Little Kirk - Gee Whiz
17. Half Pint - Christmas Vibes
18. Gregory Isaacs - White Christmas
19. John Holt - Winter World Of Love
20. Sugar Minott - Christmas Jamboree
21. Peter Broggs - Twelve Days Of Christmas
22. Barrington Levy - Christmas Day
23. The Wailers - Sound The Trumpet
24. Little John - Save A Little For Christmas
25. Ernest Wilson - We Wish You A Merry Christmas
The 2008 Jamaican Christmas Mix
1. Nigger Kojak - Christmas Style
2. Bunny & Skully - White Christmas
3. Lord Nelson - Party For Santa Claus
4. The Wailers - Go, Tell It On The Mountain
5. Frankie Paul - Merry Christmas
6. Alton Ellis - Christmas Coming
7. Glen Adams - Xmas Rock
8. Michigan & Smiley - Little Drummer Boy
9. Desmond Dekker & The Aces - Christmas Day
10. Iron Phoenix - Natty Dread Christmas
11. Gregory Isaacs - It's Christmas Time Again
12. Johnny Clarke - I Saw Mommy Kissing Santa Claus
13. Winston Groovy - Merry Christmas
14. Jacob Miller - Silver Bells
15. Ray I - Natty No Santa Claus
16. Jah Walton - DJ Christmas
17. Toots & The Maytals - Happy Christmas
18. Horace Andy - Oh Little Town Of Bethlehem
19. The Silvertones - Bling Bling Christmas
20. Freddie McGregor - Irie Christmas
21. Charley Fresh - Jam Down Christmas
22. Tippa Lee & Rappa Roberts - Christmas Is Coming
23. Hortense Ellis - Black Christmas
24. Trinity - African Christmas
25. Richard Ace - Joyful Reggae
The 2009 Jamaican Christmas Mix
1. Tristan Palmer - Christmas Jamboree
2. Roman Stewart - Christmas Affair
3. Frank Cosmo - Greetings From Beverley's
4. General Trees - Santa Claus Is Comin' To Town
5. Jackie Edwards - White Christmas
6. Shorty The President - Christmas Fair
7. Norman T. Washington - It's Christmas Time Again
8. Colin Roach & Anthony Malvo - Merry Christmas
9. J.C. Lodge - Joy To The World
10. Lloyd Seivright - Mary's Boy Child
11. Lui Lepke - Christmas Season
12. Winston Francis - Here Comes Santa
13. Verna Lee Powell - He Is My Santa Claus
14. Sandra Robinson & Lee Scratch Perry - Merry Christmas, Happy New Year
15. Ringo - Never Forget Christmas
16. Sonny Bradshaw - Peace And Love
17. Barry Brown - Christmas Christmas
18. Anthony Selassie - Rub A Dub Christmas
19. Hopeton & Primo - Peace On Earth
20. Tennessee Brown & The Silvertones - Jingle Bells
21. Don Cornell & The Eternals - Christmas Joy
22. Gable School Choir - Reggae Christmas
23. Neville Willoughby - Christmas In JA
24. Rupie Edwards - Christmas Rush
25. Go Home Productions - Karen Meets Roots Radics Uptown
The 2010 Jamaican Christmas Mix
1. Barrington Levy - Once A Year
2. Jah Thomas - Christmas Shopping
3. Tennessee Brown & The Silvertones - Little Drummer Boy
4. Gregory Isaacs - The Christmas Song
5. Sachmoore - Wuh You Got To Gimme For Christmas
6. Leon Danger & Mr. Culture - This Christmas
7. Chris Wayne - Silver Bells
8. Cedric Bravo w/Rico & The Five Stars - Merry Christmas
9. Norman T. Washington - Happy Christmas
10. Norman T. Washington - Happy Christmas Version
11. The Silent Choir - Silent Night
12. Alton Ellis - Praise Jah It's Christmas
13. Trinity - Santa Claus Comes Once A Year
14. Shinehead - Reggae Christmas Medley
15. Tyrone Taylor - Winter Wonderland
16. Admiral Bailey - Christmas Style
17. Ruddy Thomas - Reggae Happy Christmas
18. Tony Tuff - Christmas Irie
19. Little John - It's Christmas Time
20. Triston Palmer - Oh Holy Night
21. Arcanians - Christmas In Jamaica
22. Alton Ellis - Joy To The World
23. Delroy Melody - Christmas Time
24. King Everald - Santa Claus
25. Cimarons - Silent Night/White Christmas
Stay tuned for the all-new 2011 Christmas Mix - Coming Soon!!
Monday, November 28, 2011
Christmas Mix 2011 - Good News & Bad News
I've got some good news and I've got some bad news... with the holiday season upon us again, I have started the long and arduous process of compiling the 25 tracks to make it into this year's Christmas mix...
The good news is, aside from one record that I'm still waiting to arrive in the mail, the playlist is complete.
The bad news is, this is definitely going to be the last year for the 25 track Christmas extravaganzas... Including the upcoming 2011 Mix, I've dug up and compiled 150 songs but it now looks like the well has run dry... I have dug, scratched, clawed and scoured for decent tunes but alas I have exhausted my resources.
Now that's not saying that I couldn't put together a 25 track mix of crap reggae Christmas music from a multitude of artists, mostly from the digital age, but I don't want to sully the "good years" by just keeping this going for ol' times sake and making this thing utterly unlistenable... I want to finish on a high note here!
Future Christmas projects will require a rehash of Christmases past... a remix of some of the top tunes from previous years with an occasional addition of something "new" that I haven't shared before... when and if they should appear.
But anyway, stay tuned... the 2011 Christmas Mix is coming soon to make your spirits bright!
The good news is, aside from one record that I'm still waiting to arrive in the mail, the playlist is complete.
The bad news is, this is definitely going to be the last year for the 25 track Christmas extravaganzas... Including the upcoming 2011 Mix, I've dug up and compiled 150 songs but it now looks like the well has run dry... I have dug, scratched, clawed and scoured for decent tunes but alas I have exhausted my resources.
Now that's not saying that I couldn't put together a 25 track mix of crap reggae Christmas music from a multitude of artists, mostly from the digital age, but I don't want to sully the "good years" by just keeping this going for ol' times sake and making this thing utterly unlistenable... I want to finish on a high note here!
Future Christmas projects will require a rehash of Christmases past... a remix of some of the top tunes from previous years with an occasional addition of something "new" that I haven't shared before... when and if they should appear.
But anyway, stay tuned... the 2011 Christmas Mix is coming soon to make your spirits bright!
Wednesday, November 09, 2011
Tuesday, November 08, 2011
Monday, October 31, 2011
The Complete Jamaican Halloween Spooktacular 2011 - Happy Halloween!
I hope the Halloween Spooktacular has added a bit of holiday spice to your October and for those of you who have provided comments and thanks, I sincerely appreciate it! I would do these mixes for myself if I didn't have an audience but I'm grateful that I have this space to share them with all those who love Halloween as much as I do! Happy Halloween everyone!
Here it is... in its entirety... the complete Jamaican Halloween Spooktacular 2011!
Enjoy!
Jamaican Halloween Spooktacular 2011 - Track Twenty One - Duppyman Skank
We've arrived at Halloween and though it means the end of this years Jamaican Halloween Spooktacular, but for the kids the fun is just beginning.
Yes I've got a busy night of transportation duties for my kids again as we prepare to get some serious trick or treating done and to be honest, I couldn't be happier! I don't mind the walking, the costume repairs, or lugging the costume accessory which may become too cumbersome or heavy as the night progresses. I have fond memories of Halloween when I was a kid and I always delight in seeing the smiles on my kid's faces and their looks of accomplishment when the piles of accumulated candy hit the kitchen table. I always hope that my over-the-top enthusiasm for this holiday rubs off on them and helps encourage the kids to carry on the Halloween traditions that make this holiday something to truly anticipate and enjoy.
But enough about that, let's get to the final track in the Spooktacular! This one is called "Duppyman Skank" by Larry Marshall and it comes from a 1996 7" on Harry Mudie's Moodisc label. This tune is actually a tribute to a long list of reggae artists who are no longer among the living and a fictional dance with their duppies which would really be something to behold. Listen to this line-up... Slim Smith, Jacob Miller, Bob Marley, Peter Tosh, Jeff "Free-I" Dixon, General Echo, Lee Van Cliff, Lui Lepke, Tenor Saw... with King Tubby at the control? Yeah, where do I get a ticket!? Oh, and remember this... "We make music not noise!"
Enjoy and Happy Halloween everyone!
Yes I've got a busy night of transportation duties for my kids again as we prepare to get some serious trick or treating done and to be honest, I couldn't be happier! I don't mind the walking, the costume repairs, or lugging the costume accessory which may become too cumbersome or heavy as the night progresses. I have fond memories of Halloween when I was a kid and I always delight in seeing the smiles on my kid's faces and their looks of accomplishment when the piles of accumulated candy hit the kitchen table. I always hope that my over-the-top enthusiasm for this holiday rubs off on them and helps encourage the kids to carry on the Halloween traditions that make this holiday something to truly anticipate and enjoy.
But enough about that, let's get to the final track in the Spooktacular! This one is called "Duppyman Skank" by Larry Marshall and it comes from a 1996 7" on Harry Mudie's Moodisc label. This tune is actually a tribute to a long list of reggae artists who are no longer among the living and a fictional dance with their duppies which would really be something to behold. Listen to this line-up... Slim Smith, Jacob Miller, Bob Marley, Peter Tosh, Jeff "Free-I" Dixon, General Echo, Lee Van Cliff, Lui Lepke, Tenor Saw... with King Tubby at the control? Yeah, where do I get a ticket!? Oh, and remember this... "We make music not noise!"
Enjoy and Happy Halloween everyone!
Sunday, October 30, 2011
Weekend Calypso Treat #8 - Zombie Jamboree (Back To Back)
Lord Jellicoe is one artist whose background information remains illusive. I originally included his version of "Zombie Jamboree" in 2007's Spooktacular and couldn't give you any background info. then and four years later... I'm still coming up with nothing.
To me, this is the definitive version of Zombie Jamboree! It probably has a lot to do with the fact that it was the first version I ever heard years ago and anyone else's tends to pale in comparison.
Saturday, October 29, 2011
Weekend Calypso Treat #7 - Love In The Cemetery
Lord Kitchener (born Aldwyn Roberts, 1922, Trinidad) was one of those calypso artists who achieved success when he moved to England, via Jamaica in 1948. There he recorded a great wealth of material on the Parlophone, Melodisc and Lyragon labels, most of which was exported back to the West Indies and even to West Africa where he had a rather large following. Years later, Lord Kitchener had begun recording in the emerging soca sound before his death in 2000.
"Love In The Cemetery" is one of my all-time favorite Halloween songs and its influence was felt in Jamaican music during the early 80s when DJ combo Clint Eastwood and General Saint used the song for the basis of their recording, "Talk About Run."
Friday, October 28, 2011
Jamaican Halloween Spooktacular 2011 - Track Twenty - Voodoo Man
So we're arrived at the last Friday in our Halloween Spooktacular and we're gonna take you into the weekend on an up-note.
At the ripe age of 13 and under the auspices of Coxsone Dodd, Delroy Wilson (Oct. 1948 - March 1995) began his recording career at Studio One. He cut his first track "Emy Lou" in 1961 and emerged in the ska era as the first line of offensive armament in a feud amongst rival record producers Duke Reid and Prince Buster.
By the time rocksteady rolled around Wilson's voice had matured and he had a string of hits including "Dancing Mood," "Riding For A Fall" and "Conquer Me." Around that time he left Studio One and went on to record for Bunny Lee, Joe Gibbs and others. But that's going far beyond where we need to go today.
This tune, "Voodoo Man," which is actually the b-side to the Lee Perry penned attack on Prince Buster "Spit In The Sky," was produced by Dodd in 1963 during ska's heyday and released on the Island Records UK subsidiary Black Swan.
In the tune, Delroy Wilson basically addresses the belief the some Jamaican's have about the benefits of voodoo. Whether it involves a cure for medical ailments or repairing a broken heart, Wilson concludes that the only thing a Voodoo Man is good at taking away is the heft of your wallet when he robs you blind.
At the top of this post you'll see a poster for the 1957 film Voodoo Island. Now I've never seen this film but came across the trailer when I was putting together this years mix and it worked perfectly to establish our thematic change from yesterday's tune. Judging by the synopsis of Voodoo Island on IMDB...
"A wealthy industrialist hires the renowned hoax-buster Phillip Knight to prove that an island he plans to develop isn't voodoo cursed. However, arriving on the island, Knight soon realizes that voodoo does exist when he discovers man-eating plants and a tribe of natives with bizarre powers."
...it definitely sounds like the kind of bad film that I would absolutely love! Besides, with Boris Karloff in the starring role how can it be as bad as the reviews have suggested?
Have a great weekend and I'll see you again on Halloween for the final track!
At the ripe age of 13 and under the auspices of Coxsone Dodd, Delroy Wilson (Oct. 1948 - March 1995) began his recording career at Studio One. He cut his first track "Emy Lou" in 1961 and emerged in the ska era as the first line of offensive armament in a feud amongst rival record producers Duke Reid and Prince Buster.
By the time rocksteady rolled around Wilson's voice had matured and he had a string of hits including "Dancing Mood," "Riding For A Fall" and "Conquer Me." Around that time he left Studio One and went on to record for Bunny Lee, Joe Gibbs and others. But that's going far beyond where we need to go today.
This tune, "Voodoo Man," which is actually the b-side to the Lee Perry penned attack on Prince Buster "Spit In The Sky," was produced by Dodd in 1963 during ska's heyday and released on the Island Records UK subsidiary Black Swan.
In the tune, Delroy Wilson basically addresses the belief the some Jamaican's have about the benefits of voodoo. Whether it involves a cure for medical ailments or repairing a broken heart, Wilson concludes that the only thing a Voodoo Man is good at taking away is the heft of your wallet when he robs you blind.
At the top of this post you'll see a poster for the 1957 film Voodoo Island. Now I've never seen this film but came across the trailer when I was putting together this years mix and it worked perfectly to establish our thematic change from yesterday's tune. Judging by the synopsis of Voodoo Island on IMDB...
"A wealthy industrialist hires the renowned hoax-buster Phillip Knight to prove that an island he plans to develop isn't voodoo cursed. However, arriving on the island, Knight soon realizes that voodoo does exist when he discovers man-eating plants and a tribe of natives with bizarre powers."
...it definitely sounds like the kind of bad film that I would absolutely love! Besides, with Boris Karloff in the starring role how can it be as bad as the reviews have suggested?
Have a great weekend and I'll see you again on Halloween for the final track!
Thursday, October 27, 2011
Jamaican Halloween Spooktacular 2011 - Track Nineteen - Deep In The Dark
Short and sweet today...
The next song in our mix is a bad-ass roots tune by Barrington Levy called "Deep In The Dark," produced and arranged by himself and off a 1979(ish) 7" on Levy's own, short-lived B.L. Sounds label.
Though this is technically far from being a directly spooky tune, it has a feel to it that just emotes a dreamlike and longing quality that verges on the uneasy. I believe the mournful sounding saxophone just has a late-night desperation to it that casts a moon-lit cold shadow on what may be considered an everyday love song.
As you can see by the lyrics, "Deep In The Dark," had it been coupled with an upbeat Roots Radics backing and a healthy dose of bright horns, it might not seem to shadowy... but as it stands, it can't help but reflect a sense of desperation and unattainable longing that nearly verges on the deranged thoughts of a jilted lover.
There's an old adage that says "Nothing good happens after midnight." And "Deep In The Dark" may just confirm that!
The next song in our mix is a bad-ass roots tune by Barrington Levy called "Deep In The Dark," produced and arranged by himself and off a 1979(ish) 7" on Levy's own, short-lived B.L. Sounds label.
Though this is technically far from being a directly spooky tune, it has a feel to it that just emotes a dreamlike and longing quality that verges on the uneasy. I believe the mournful sounding saxophone just has a late-night desperation to it that casts a moon-lit cold shadow on what may be considered an everyday love song.
"Deep in the dark,
secrets are unfolding,
things I only dreamed of,
happening to me.
Deep in the dark,
messages are reaching me
strange and sweet sensations
are tantalizing me."
secrets are unfolding,
things I only dreamed of,
happening to me.
Deep in the dark,
messages are reaching me
strange and sweet sensations
are tantalizing me."
As you can see by the lyrics, "Deep In The Dark," had it been coupled with an upbeat Roots Radics backing and a healthy dose of bright horns, it might not seem to shadowy... but as it stands, it can't help but reflect a sense of desperation and unattainable longing that nearly verges on the deranged thoughts of a jilted lover.
There's an old adage that says "Nothing good happens after midnight." And "Deep In The Dark" may just confirm that!
Wednesday, October 26, 2011
Jamaican Halloween Spooktacular 2011 - Track Eighteen - I Shall Fear No Evil
I remember the first time my friend Nick and I got together to watch The Evil Dead and the most vivid memory I have of the whole event was that this movie scared the hell out of me!
The story of five friends spending a weekend at a cabin in the woods, playing around with black magic, releasing the evil spirits and fighting for their survival as one by one they are possessed and killed... The Evil Dead just had me on edge the entire time and I remember, though I hate to admit it now, that I was relieved when it was over. To this day it remains one of those scariest film experiences I've ever had!
Doctor Alimantado (born Winston James Thompson, 1952, Kingston) got started like the majority of DJs from the era by getting in his licks with the soundsystems. Alimantado honed his skills with Coxsone Dodd's Downbeat and Lord Tippertone. He began recording for Lee Perry and Bunny Lee using a wide variety of names; Winston Price, Winston Cool, Ital Winston, or Youth Winston. In 1976 he recorded the DJ portion of Devon Irons' "Ketch Vampire," and continued cutting tracks and accumulating an impressive string of solid singles.
Greensleeves records compiled those singles into one collection and released Best Dressed Chicken In Town in 1978. The album enjoys the distinction of being the first LP the company ever produced and the song we're going to hear "I Shall Fear No Evil" was taken from the aforementioned set. Originally released as the b-side of the Ital Sound 7" "Poison Flour" in 1976 which was in essence two different DJ variations of Horace Andy's killer "Quiet Place," often referred to as Man Next Door riddim.
Subject matter is pretty self-explanatory and in fact very Halloween appropriate!
Enjoy!
The story of five friends spending a weekend at a cabin in the woods, playing around with black magic, releasing the evil spirits and fighting for their survival as one by one they are possessed and killed... The Evil Dead just had me on edge the entire time and I remember, though I hate to admit it now, that I was relieved when it was over. To this day it remains one of those scariest film experiences I've ever had!
Doctor Alimantado (born Winston James Thompson, 1952, Kingston) got started like the majority of DJs from the era by getting in his licks with the soundsystems. Alimantado honed his skills with Coxsone Dodd's Downbeat and Lord Tippertone. He began recording for Lee Perry and Bunny Lee using a wide variety of names; Winston Price, Winston Cool, Ital Winston, or Youth Winston. In 1976 he recorded the DJ portion of Devon Irons' "Ketch Vampire," and continued cutting tracks and accumulating an impressive string of solid singles.
Greensleeves records compiled those singles into one collection and released Best Dressed Chicken In Town in 1978. The album enjoys the distinction of being the first LP the company ever produced and the song we're going to hear "I Shall Fear No Evil" was taken from the aforementioned set. Originally released as the b-side of the Ital Sound 7" "Poison Flour" in 1976 which was in essence two different DJ variations of Horace Andy's killer "Quiet Place," often referred to as Man Next Door riddim.
Subject matter is pretty self-explanatory and in fact very Halloween appropriate!
Enjoy!
Tuesday, October 25, 2011
Jamaican Halloween Spooktacular 2011 - Track Seventeen - Thunderstorm
Did you know that thunderstorms are responsible for about 93 deaths and 300 injuries each year in the United States alone? Did you also know they cause several hundred million dollars in property and forest damage each year? So judging by those numbers your chances of being effected by a meteorological event is a lot better than being attacked and killed by a werewolf, vampire, duppy, zombie, gigantic nuclear-mutated ant, alien or even a common everyday Frankenstein combined.
It is with those statistics in mind that we hop along to the next tune in the Spooktacular. The seventeenth track is courtesy of Karl "Cannonball King" Bryan and it's called "Thunderstorm." This blazing baritone sax tune, released in 1968 as a 45 on the Upset label is in my opinion one of the coolest tunes in this years mix! What makes it even cooler is that there are already thunderstorm sound effects thrown into the original mix so additional embellishments were only icing on the cake!
Bryan began his career in the late 50's, joined the Carlos Malcolm's Afro-Jamaican Rhythms in 1964 and even went on to play with the Lyn Taitt's legendary Comets before going solo in 1967.
It is with those statistics in mind that we hop along to the next tune in the Spooktacular. The seventeenth track is courtesy of Karl "Cannonball King" Bryan and it's called "Thunderstorm." This blazing baritone sax tune, released in 1968 as a 45 on the Upset label is in my opinion one of the coolest tunes in this years mix! What makes it even cooler is that there are already thunderstorm sound effects thrown into the original mix so additional embellishments were only icing on the cake!
Bryan began his career in the late 50's, joined the Carlos Malcolm's Afro-Jamaican Rhythms in 1964 and even went on to play with the Lyn Taitt's legendary Comets before going solo in 1967.
Monday, October 24, 2011
Jamaican Halloween Spooktacular 2011 - Track Sixteen - Vampire
I used to like vampires... I used to think Dracula was a pretty cool guy, as far as monsters go at least. But popular culture has now made the vampire a lot more heartthrob and a lot less scary and personally I think that sucks, if you'll pardon the pun.
I think a lot of this modern popularization of the genre began with 1987's The Lost Boys and it has been rolling steadily downhill ever since. To be honest, when The Lost Boys was released, I was in high school and my obsession with horror films was in full swing, and I found the movie absolutely unwatchable. It was trying so hard to be hip and modern that it absolutely bored me to death. But regardless of how I felt it was sadly and inexplicably on the list of people's top horror films.
Regardless of the fictional bloodsuckers cinematic demise the "real" vampires from folklore are still adept at inciting nightmares. Especially in Jamaica, where the vampire in reggae serves as a metaphor for the evil, corrupt bloodsuckers in the places of power that bleed the defenseless and the "sufferahs" dry. Take for instance the next tune in our Spooktacular... this one is by Trinity (born Wade Brammer, 1954, Kingston)and it's appropriately called "Vampire." This one was originally released on 7" circa 1980-81 on Trinity's own Flag Man label. And on the surface this appears to follow dead-on with that preconceived theme... but if you dig a little deeper, I may be going out on a limb here so correct me if I'm wrong, this is actually an "attack tune" on fellow DJ Errol Scorcher. You know, reggae DJs have been going about these verbal wars long before the East Side and West Side feud in hip hop.
Much like a vampire, Trinity starts off by going straight for the jugular by insulting the belief that Scorcher didn't have proper education about the bible or that his mother was negligent in not teaching him to be a good, god-fearing person. He therefore draws the conclusion that his bad upbringing and belief in obeah (black magic) makes him disregard human beings as mere insects; "You shouldn't call the people dem roach." Trinity makes reference to three of Errol Scorcher's popular records from the era by giving him grief about using the human/roach metaphor in his 1979 hits "Roach In A De Corner" on the Aries label and his follow-up "Roach In De Toilet" on the Scorcher imprint from 1980. Brammer's third reference in "Vampire" to Errol Scorcher's purported belief in obeah is "Frog Ina Water" also released in the same era on the Tippa label.
I could go on and give you more on my argument but I've got five more blogs to write for October and I'm starting to run out of steam... give it a listen!
I think a lot of this modern popularization of the genre began with 1987's The Lost Boys and it has been rolling steadily downhill ever since. To be honest, when The Lost Boys was released, I was in high school and my obsession with horror films was in full swing, and I found the movie absolutely unwatchable. It was trying so hard to be hip and modern that it absolutely bored me to death. But regardless of how I felt it was sadly and inexplicably on the list of people's top horror films.
Regardless of the fictional bloodsuckers cinematic demise the "real" vampires from folklore are still adept at inciting nightmares. Especially in Jamaica, where the vampire in reggae serves as a metaphor for the evil, corrupt bloodsuckers in the places of power that bleed the defenseless and the "sufferahs" dry. Take for instance the next tune in our Spooktacular... this one is by Trinity (born Wade Brammer, 1954, Kingston)and it's appropriately called "Vampire." This one was originally released on 7" circa 1980-81 on Trinity's own Flag Man label. And on the surface this appears to follow dead-on with that preconceived theme... but if you dig a little deeper, I may be going out on a limb here so correct me if I'm wrong, this is actually an "attack tune" on fellow DJ Errol Scorcher. You know, reggae DJs have been going about these verbal wars long before the East Side and West Side feud in hip hop.
Much like a vampire, Trinity starts off by going straight for the jugular by insulting the belief that Scorcher didn't have proper education about the bible or that his mother was negligent in not teaching him to be a good, god-fearing person. He therefore draws the conclusion that his bad upbringing and belief in obeah (black magic) makes him disregard human beings as mere insects; "You shouldn't call the people dem roach." Trinity makes reference to three of Errol Scorcher's popular records from the era by giving him grief about using the human/roach metaphor in his 1979 hits "Roach In A De Corner" on the Aries label and his follow-up "Roach In De Toilet" on the Scorcher imprint from 1980. Brammer's third reference in "Vampire" to Errol Scorcher's purported belief in obeah is "Frog Ina Water" also released in the same era on the Tippa label.
I could go on and give you more on my argument but I've got five more blogs to write for October and I'm starting to run out of steam... give it a listen!
Sunday, October 23, 2011
Weekend Calypso Treat #6 - Witch Doctor
Mighty Sparrow (born Slinger Francisco, 1935, Grenada) is known as the "Calypso King of the World" was one of the artists credited with spreading calypso throughout the world during the 1950s and in fact helped popularize the genre. Sparrow is well known for incorporating social issues in his music but "Witch Doctor" is just a fun rant, perfectly suited for the Halloween season!
Saturday, October 22, 2011
Weekend Calypso Treat #5 - Creature Of The Black Lagoon
Lord Melody (born Fitzroy Alexander, 1926, Trinidad & Tobago) began singing calypso in the mid 1940s. He most likely recorded "Creature Of The Black Lagoon" around 1954-55, probably not shortly after the Universal horror classic "Creature From The Black Lagoon" was released. Calypsonians had a way of staying timely with their subject matter and this helps to date this one, even though Melody uses the monster metaphor to ridicule his own looks!
Interestingly, Lord Melody embraced Rastafari in the late 70s and released the single, "Rastaman Be Careful" soon after. Unfortunately, Lord Melody died in September of 1988 from cancer.
Interestingly, Lord Melody embraced Rastafari in the late 70s and released the single, "Rastaman Be Careful" soon after. Unfortunately, Lord Melody died in September of 1988 from cancer.
Friday, October 21, 2011
Jamaican Halloween Spooktacular 2011 - Track Fifteen - House Of Darkness
To me there is nothing so elementally Halloween as a film about a haunted house. I'm not talking about these new high-tech ripoffs of classic movies and these surveillance camera pieces that echo so much of the "reality" television drivel that gets passed off as entertainment these days, I'm talking a real good, original, scripted ghost story!
One of the first horror films I remember sneaking to watch on late night television as a child was the Amityville Horror and I'm quite fond of this one but it wasn't until I got to college that I came to appreciate some of the haunted house films that came before and are still give me the creeps today.
The Haunting, 1963, is without a doubt my all-time favorite. Based on the 1959 novel "The Haunting Of Hill House" by Shirley Jackson, its the story of a paranormal investigative team coming to investigate the eerie Hill House mansion. Many say that Psycho was the first film to break the bonds of "subliminal" horror with its notorious shower scene and I would tend to agree. But what amazes me about The Haunting, released 2 years after Psycho, is that director Robert Wise reverted back to the classic formula of implied and unseen horror that makes a haunted house movie so much fun to begin with!
I first watched the Haunting in a college film genre study class... I was a film major in college and as luck would have it I just happened to take this course when the genre was horror, I probably would have detested this class if I had been stuck with it the previous semester when the genre of contemplation was musicals!
Anyway, the course description was simple enough... come to the auditorium, watch a horror film once a week, spend the rest of the week waxing poetically about camera angles, direction, screenwriting, artsy implied theories about intent, genre mirroring societal beliefs and concerns, etc. and deliver an 8-10 page paper the next week. I was always enthusiastic about Film Genre Studies and had no problem consuming the pictures with a scholastic eye and a purely unconscious huge smile on my face.
When we got to The Haunting, the scholarly half of my brain grabbed his textbooks and ran screaming from the theater! I was completed engrossed in the story, the characters, the creepy goings on inside Hill House and the nervous sweaty palms they induced.
When the lights came back up I was ready to just hop out of my seat and make my way toward the exit... because I had enjoyed the film so much I had forgotten that I was in class and this was required viewing for an actual grade. I was unable to contribute anything to the post-film analysis and discussion because I had inadvertently watched the entire movie with my "film-maker eyes" tightly shut!
Needless to say, I had to desperately seek out a VHS copy of the film at the local artsy video store because when I needed to write about The Haunting on an analytical level. Actually I had to watch it two more times and pay the late fee because I got wrapped up in the plot line again during the second viewing in my dorm.
I also love 1973s The Legend Of Hell House based on the same Shirley Jackson novel and 1976s Burnt Offerings based on Robert Marasco's 1973 novel of the same name and whose trailer is attached to the next track in the Spooktacular, which we'll get to immediately because I know but you're not here to listen to me ramble!
This one comes from the Dynamites and the legendary King Tubby and is borrowed from the Pressure Sounds LP Sound System International Dub. The song is called "House Of Darkness," and it works brilliantly with our theme here! The album itself is phenomenal! Pressure Sounds' website sums it up nicely by saying this about the release...
One of the first horror films I remember sneaking to watch on late night television as a child was the Amityville Horror and I'm quite fond of this one but it wasn't until I got to college that I came to appreciate some of the haunted house films that came before and are still give me the creeps today.
The Haunting, 1963, is without a doubt my all-time favorite. Based on the 1959 novel "The Haunting Of Hill House" by Shirley Jackson, its the story of a paranormal investigative team coming to investigate the eerie Hill House mansion. Many say that Psycho was the first film to break the bonds of "subliminal" horror with its notorious shower scene and I would tend to agree. But what amazes me about The Haunting, released 2 years after Psycho, is that director Robert Wise reverted back to the classic formula of implied and unseen horror that makes a haunted house movie so much fun to begin with!
I first watched the Haunting in a college film genre study class... I was a film major in college and as luck would have it I just happened to take this course when the genre was horror, I probably would have detested this class if I had been stuck with it the previous semester when the genre of contemplation was musicals!
Anyway, the course description was simple enough... come to the auditorium, watch a horror film once a week, spend the rest of the week waxing poetically about camera angles, direction, screenwriting, artsy implied theories about intent, genre mirroring societal beliefs and concerns, etc. and deliver an 8-10 page paper the next week. I was always enthusiastic about Film Genre Studies and had no problem consuming the pictures with a scholastic eye and a purely unconscious huge smile on my face.
When we got to The Haunting, the scholarly half of my brain grabbed his textbooks and ran screaming from the theater! I was completed engrossed in the story, the characters, the creepy goings on inside Hill House and the nervous sweaty palms they induced.
When the lights came back up I was ready to just hop out of my seat and make my way toward the exit... because I had enjoyed the film so much I had forgotten that I was in class and this was required viewing for an actual grade. I was unable to contribute anything to the post-film analysis and discussion because I had inadvertently watched the entire movie with my "film-maker eyes" tightly shut!
Needless to say, I had to desperately seek out a VHS copy of the film at the local artsy video store because when I needed to write about The Haunting on an analytical level. Actually I had to watch it two more times and pay the late fee because I got wrapped up in the plot line again during the second viewing in my dorm.
I also love 1973s The Legend Of Hell House based on the same Shirley Jackson novel and 1976s Burnt Offerings based on Robert Marasco's 1973 novel of the same name and whose trailer is attached to the next track in the Spooktacular, which we'll get to immediately because I know but you're not here to listen to me ramble!
This one comes from the Dynamites and the legendary King Tubby and is borrowed from the Pressure Sounds LP Sound System International Dub. The song is called "House Of Darkness," and it works brilliantly with our theme here! The album itself is phenomenal! Pressure Sounds' website sums it up nicely by saying this about the release...
‘Sound System International' is a Clancy Eccles produced dub set featuring ten thrilling King Tubby’s deconstructions of a selection of Dynamites rhythms where Tubbs spins the tunes around and comes up with something very, very special. as he takes these straight forward reggae songs, turns them upside down and on to somewhere completely different.With the haunted house embellishments throughout I'm sure you'll enjoy the end result of "House Of Darkness." But just like me years ago with The Haunting, repeated listening may be required in order to properly analyze this one! Have your papers on my desk Monday morning and have a great weekend!
Thursday, October 20, 2011
The 2011 Non-Jamaican Spooktacular - Tribute To Vincent Price!
Here it is!! The 2011 Non-Jamaican Halloween Spooktacular and I've gone with a theme this year in honor of Vincent Price's Vincentennial!
1. Messer Chups - Vincent Price Is Coming To Russia
2. Hypnomen - The Pendulum
3. Lou Lou And The Guitarfish - The Tingler
4. The Aldermen - House Of Wax
5. The Brimstones - It's The Amazing Vincent Price Shrunken Head Kit
6. Mad Tea Party - Dr. Phibes
7. Kenny & The Fiends - House On Haunted Hill
8. Brioles - Madhouse
9. Misfits - Return Of The Fly
10. The Moon-Rays - Bat
11. Zombina & The Skeletones - Vincent Price
12. The Route 66 Killers - Masque Of The Red Death
13. Thee Merry Widows - Theater Of Blood
14. Frankie & The Poolboys - The Raven
15. Forbidden Dimension - House Of 1000 Dolls
16. The Special Agents - The Tingler
17. Playboys - The House On Haunted Hill
18. Messer Chups - Vincent Price Bible
Lots of trailers and other cool audio thrown in for good measure! Thank you Vincent Price for all the scares, thrills and chills you've given me throughout my life and I hope this small labor of love does you justice!
Jamaican Halloween Spooktacular 2011 - Track Fourteen - Black Magic Woman
The cutie over on the left is going to bring us to the fourteenth track in our yearly countdown of scary tunes straight outta yard! This one is "Black Magic Woman" by the man Eric "Fish" Clarke and it's not to be confused with the Dennis Brown track I posted in 2008. You see, Dennis' track was a cover of the 1968 Fleetwood Mac tune made famous by Santana in 1970... Fish Clarke's version is not.
Eric "Fish" Clarke was born in 1960, the younger brother of long-time reggae star Johnny Clarke. Fish got his training on the drums at the renowned Alpha Boys School and under the tutelage of Sister Ignatius. He got his first real gig playing for Prince Far I's Arabs in the 1970s and later with the Roots Radics eventually cutting some solo material of his own. I think you will agree, he's got a pretty good voice!
This track ranks right up there as one of my favorites in this year's Spooktacular and I hope you will enjoy what I've done for the background; keeping the witches cackling to a minimum but having some fun re-creating a visit to a late-night coven complete with bubbling cauldrons, hooting owls, crows and the ever-present wind that has swirled around so many of these tunes over the last 6 years!
Now here's where I ran into a minor problem... I couldn't find this record anywhere to get a clean picture of the Black Magic Woman label so I had to go online and find a picture of what was the A-side, "River Jordan" by Little John. I have torn apart my shelves looking for this record since July and dammit, I can't find it! I'm more than convinced that it's either in one of the multitude of bins over at my sister's house or in the bin over at my parent's house in the closet upstairs, or maybe this is just a good indication that my record collection has gotten out of control when about half my records are now residing in plastic tubs outside of my own house. Luckily my sister has a lot more room than I do and thankfully she's not charging me a monthly storage fee! Thanks Ang!
Eric "Fish" Clarke was born in 1960, the younger brother of long-time reggae star Johnny Clarke. Fish got his training on the drums at the renowned Alpha Boys School and under the tutelage of Sister Ignatius. He got his first real gig playing for Prince Far I's Arabs in the 1970s and later with the Roots Radics eventually cutting some solo material of his own. I think you will agree, he's got a pretty good voice!
This track ranks right up there as one of my favorites in this year's Spooktacular and I hope you will enjoy what I've done for the background; keeping the witches cackling to a minimum but having some fun re-creating a visit to a late-night coven complete with bubbling cauldrons, hooting owls, crows and the ever-present wind that has swirled around so many of these tunes over the last 6 years!
Now here's where I ran into a minor problem... I couldn't find this record anywhere to get a clean picture of the Black Magic Woman label so I had to go online and find a picture of what was the A-side, "River Jordan" by Little John. I have torn apart my shelves looking for this record since July and dammit, I can't find it! I'm more than convinced that it's either in one of the multitude of bins over at my sister's house or in the bin over at my parent's house in the closet upstairs, or maybe this is just a good indication that my record collection has gotten out of control when about half my records are now residing in plastic tubs outside of my own house. Luckily my sister has a lot more room than I do and thankfully she's not charging me a monthly storage fee! Thanks Ang!
Wednesday, October 19, 2011
Jamaican Halloween Spooktacular 2011 - Track Thirteen - U.F.O.
I've been doing the Jamaican Halloween Spooktacular for six years and this is only the second "sci-fi track" that's made it into a mix! The last one was in 2008 when we heard Lone Ranger from his Barnabas In Collins Wood LP giving us an account of his thrilling encounter with some extraterrestrials... this time it's going to sound a little different.
Here is another wacky/moogy sounding track complete with a pretty heavy bass-line that has all the feel of a real-life UFO encounter... if you believe in that sorta thing. This one is "U.F.O." by Geoffrey Chang & All-Stars from 1972, produced by the legendary Harry J and appropriately enough pressed on the Harry J label.
I added some elements into the mix from the trailer to 1951's The Day The Earth Stood Still... which is without a doubt my favorite of all the atomic-era 50s Sci-Fi films. It's about a visitor from outer space who comes to warn mankind that if they can't live in peace they'll be destroyed - probably a message that was already clearly understood with the dawning of the Cold War. I love this film and make an effort to include it in my month-long Halloween film fest every year.
Also, I threw in a couple short clips from my second favorite 50s scary-monsters-from-outer-space film, Invaders From Mars from 1953. This one deals with a kid who witnesses the Martian invasion and can't get the adults to believe him due to the fact that most of the rationale adults in the town have already been brainwashed by the evil men from the Red Planet... a great film and another of my must-watch Sci-Fi thrillers!
Here is another wacky/moogy sounding track complete with a pretty heavy bass-line that has all the feel of a real-life UFO encounter... if you believe in that sorta thing. This one is "U.F.O." by Geoffrey Chang & All-Stars from 1972, produced by the legendary Harry J and appropriately enough pressed on the Harry J label.
I added some elements into the mix from the trailer to 1951's The Day The Earth Stood Still... which is without a doubt my favorite of all the atomic-era 50s Sci-Fi films. It's about a visitor from outer space who comes to warn mankind that if they can't live in peace they'll be destroyed - probably a message that was already clearly understood with the dawning of the Cold War. I love this film and make an effort to include it in my month-long Halloween film fest every year.
Also, I threw in a couple short clips from my second favorite 50s scary-monsters-from-outer-space film, Invaders From Mars from 1953. This one deals with a kid who witnesses the Martian invasion and can't get the adults to believe him due to the fact that most of the rationale adults in the town have already been brainwashed by the evil men from the Red Planet... a great film and another of my must-watch Sci-Fi thrillers!
Tuesday, October 18, 2011
Jamaican Halloween Spooktacular 2011 - Track Twelve - Ten Commandments From The Devil
Short and sweet today...
In 1970, Eddy Grant, of incorrectly filed in the reggae bins at the record store and "Electric Avenue" fame, along with UK producer and sound system operator Lambert Briscoe, founded Torpedo Records in an effort to highlight and showcase British-made reggae.
The Hot Rod All-Stars were one of those bands... and their single "Ten Commandments From The Devil" fits rather nicely into our creepy little mix!
Though I couldn't uncover who was actually in the band I was definitely able to ascertain that the Hot Rod All-Stars were prolific in the early months of Torpedo... appearing in some capacity on all six of the labels first releases. To be honest, the band went kinda nuts in 1970 releasing 17 singles on 4 different labels; Torpedo, Duke Records, Trojan and their own Hot Rod imprint.
Eddy Grant eventually sold Torpedo Records in 1971 and shortly revived it again in 1974/75 but by that point their sound had moved away from reggae and Eddy Grant had moved on to other projects.
I ripped this tune from a 2007 various artists compilation LP on the Spirit Of 69 Record label out of Germany called The Skinhead Reggae Singles... I had been looking for the "Ten Commandments From The Devil" single on Torpedo for a couple years now but this album satisfied that urge well enough.
In 1970, Eddy Grant, of incorrectly filed in the reggae bins at the record store and "Electric Avenue" fame, along with UK producer and sound system operator Lambert Briscoe, founded Torpedo Records in an effort to highlight and showcase British-made reggae.
The Hot Rod All-Stars were one of those bands... and their single "Ten Commandments From The Devil" fits rather nicely into our creepy little mix!
Though I couldn't uncover who was actually in the band I was definitely able to ascertain that the Hot Rod All-Stars were prolific in the early months of Torpedo... appearing in some capacity on all six of the labels first releases. To be honest, the band went kinda nuts in 1970 releasing 17 singles on 4 different labels; Torpedo, Duke Records, Trojan and their own Hot Rod imprint.
Eddy Grant eventually sold Torpedo Records in 1971 and shortly revived it again in 1974/75 but by that point their sound had moved away from reggae and Eddy Grant had moved on to other projects.
I ripped this tune from a 2007 various artists compilation LP on the Spirit Of 69 Record label out of Germany called The Skinhead Reggae Singles... I had been looking for the "Ten Commandments From The Devil" single on Torpedo for a couple years now but this album satisfied that urge well enough.
Monday, October 17, 2011
Jamaican Halloween Spooktacular 2011 - Track Eleven - Sudden Death
The Chiller Carnival of Blood was a four picture film festival which as far as I can ascertain was probably played at drive-in movie theaters in the early 1970s. All four pictures played had something in common... they all featured blood in the title! I envy the marketing genius who thought of putting this together!
I'm going to do something different - I'll give you a little background about the four individual films and in italics I'll give you a commentary about what it would be like to watch this fantastic quartet of films at a luxurious drive-in theater. If you've ever been to a drive-in I think you'll understand the scenario I'm setting here... if you haven't, you're in for a treat. Let's begin now!
The first of the films is Blood Demon from 1969 featuring Christopher Lee as Count Regula a man who is drawn and quartered for killing twelve virgins in his torture chamber. Thirty-five years later, he come back to life to seek revenge on the daughter of his intended thirteenth victim and the son of his prosecutor in order to achieve eternal life.
At the conclusion of Blood Demon you probably have 3/4 of the popcorn left, some of your soda and a Clark bar that you stashed over the sun visor. The feigned interest in the film is starting to give way to more important tasks like steaming up the windows.
The second is Blood Doctor (AKA Mad Doctor of Blood Island) from 1968 starring such big screen luminaries as John Ashley and Angelique Pettyjohn! Wow! A man travels to an island where an insane doctor is creating zombies. Blood and guts ensue but the thing that most fans find endearing is Ms. Pettyjohn's zeal for removing her clothes.
After the credits roll on Blood Doctor, I'm not going to get too graphic here but the make-out session has given way to snuggling. Your girl/boy friend is next to you, the temperature inside the car is about 138 degrees and aside from the sweat beading up on your forehead and your partners arm feeling like a soggy sandbag flopped around your neck, the rolled up windows are probably cracked just enough to give you a chill. Popcorn consumption has resumed by you as you desperately fighting the urge to fling your girl/boy friend's arm off of you and bursting from the car frantically gasping for air. You probably feign an urgent need to run to the bathroom just to leave the confines of the car long enough to catch your breath and get back to the Buick-brand sauna waiting for you just as the opening credits roll...
Blood Fiend from 1967 is the third in this ghoulish cacophony of blood and guts. The story goes like this... There's this theater in Paris that specializes in acts of the macabre, a police coroner gets infatuated with one of the performers in said shows and soon after bodies start showing up all over the place drained of their blood. Christopher Lee makes another appearance in yet another Oscar nominated film as the evil Philippe Darvas; the guy who runs the joint and is subsequently killed right after the cops think they've got their man. Vampirism and necrophilia ensue...
By this point in the show the snacks have all been consumed, the necking has been concluded, the urge to use the bathroom again is becoming serious, the bench seat in Dad's Buick Riviera is starting to numb your ass to the point of actual concern and your girl/boy friend is either sound asleep; facing the complete opposite direction of you or complaining that they've had enough of the Carnival of Blood and that they want to leave. You promise that you only want to stay for part of the last movie and that you'll get going in a little while. The temperature in the car has gotten comfortable again and you don't want to get out of the car again... but you declare to yourself that you'll be able to hold it. You start to see the sky getting lighter as early morning works its way toward dawn as Blood Brides flickers on the big screen.
Blood Brides from 1968, is the final film of the morning. Again you're back on a tropical island with a group of natives battling with man-eating animals and plants caused my nuclear radioactivity. Virgin sacrifice and scary jungle creatures run amok... that's about the gyst of it.
When this film ends you're both sound asleep, the headlights from another car awaken you... begrudgingly you wake up well enough to drive home with the suns rays breaking the horizon and your full bladder keeps you uncomfortable enough to keep from dozing off. Instead of doing this again you decide to go bowling the next weekend.
I kinda went off there... now where the hell were we? Oh yeah, today's song; embellished with the trailer for the Chiller Carnival Of Blood of course, is from Steve Stanley and it's called "Sudden Death." This nifty 7" from 1977 was pressed on the Aquarius label where Stanley had been working as the apprentice engineer for two years. I think you're gonna dig the funky organ/moogy sound on this one - it's one of those tunes that's really grew on me when I was picking out the tunes to use this year.
Steven Stanley went on to record with the 80s new wave group Tom Tom Club, co producing their debut album in 1981. He also worked with Black Uhuru, Sly & Robbie, Sean Paul, Grace Jones and the B-52's and now owns a studio of his own in Kingston called Steven Stanley Recording Studio.
I'm going to do something different - I'll give you a little background about the four individual films and in italics I'll give you a commentary about what it would be like to watch this fantastic quartet of films at a luxurious drive-in theater. If you've ever been to a drive-in I think you'll understand the scenario I'm setting here... if you haven't, you're in for a treat. Let's begin now!
The first of the films is Blood Demon from 1969 featuring Christopher Lee as Count Regula a man who is drawn and quartered for killing twelve virgins in his torture chamber. Thirty-five years later, he come back to life to seek revenge on the daughter of his intended thirteenth victim and the son of his prosecutor in order to achieve eternal life.
At the conclusion of Blood Demon you probably have 3/4 of the popcorn left, some of your soda and a Clark bar that you stashed over the sun visor. The feigned interest in the film is starting to give way to more important tasks like steaming up the windows.
The second is Blood Doctor (AKA Mad Doctor of Blood Island) from 1968 starring such big screen luminaries as John Ashley and Angelique Pettyjohn! Wow! A man travels to an island where an insane doctor is creating zombies. Blood and guts ensue but the thing that most fans find endearing is Ms. Pettyjohn's zeal for removing her clothes.
After the credits roll on Blood Doctor, I'm not going to get too graphic here but the make-out session has given way to snuggling. Your girl/boy friend is next to you, the temperature inside the car is about 138 degrees and aside from the sweat beading up on your forehead and your partners arm feeling like a soggy sandbag flopped around your neck, the rolled up windows are probably cracked just enough to give you a chill. Popcorn consumption has resumed by you as you desperately fighting the urge to fling your girl/boy friend's arm off of you and bursting from the car frantically gasping for air. You probably feign an urgent need to run to the bathroom just to leave the confines of the car long enough to catch your breath and get back to the Buick-brand sauna waiting for you just as the opening credits roll...
Blood Fiend from 1967 is the third in this ghoulish cacophony of blood and guts. The story goes like this... There's this theater in Paris that specializes in acts of the macabre, a police coroner gets infatuated with one of the performers in said shows and soon after bodies start showing up all over the place drained of their blood. Christopher Lee makes another appearance in yet another Oscar nominated film as the evil Philippe Darvas; the guy who runs the joint and is subsequently killed right after the cops think they've got their man. Vampirism and necrophilia ensue...
By this point in the show the snacks have all been consumed, the necking has been concluded, the urge to use the bathroom again is becoming serious, the bench seat in Dad's Buick Riviera is starting to numb your ass to the point of actual concern and your girl/boy friend is either sound asleep; facing the complete opposite direction of you or complaining that they've had enough of the Carnival of Blood and that they want to leave. You promise that you only want to stay for part of the last movie and that you'll get going in a little while. The temperature in the car has gotten comfortable again and you don't want to get out of the car again... but you declare to yourself that you'll be able to hold it. You start to see the sky getting lighter as early morning works its way toward dawn as Blood Brides flickers on the big screen.
Blood Brides from 1968, is the final film of the morning. Again you're back on a tropical island with a group of natives battling with man-eating animals and plants caused my nuclear radioactivity. Virgin sacrifice and scary jungle creatures run amok... that's about the gyst of it.
When this film ends you're both sound asleep, the headlights from another car awaken you... begrudgingly you wake up well enough to drive home with the suns rays breaking the horizon and your full bladder keeps you uncomfortable enough to keep from dozing off. Instead of doing this again you decide to go bowling the next weekend.
I kinda went off there... now where the hell were we? Oh yeah, today's song; embellished with the trailer for the Chiller Carnival Of Blood of course, is from Steve Stanley and it's called "Sudden Death." This nifty 7" from 1977 was pressed on the Aquarius label where Stanley had been working as the apprentice engineer for two years. I think you're gonna dig the funky organ/moogy sound on this one - it's one of those tunes that's really grew on me when I was picking out the tunes to use this year.
Steven Stanley went on to record with the 80s new wave group Tom Tom Club, co producing their debut album in 1981. He also worked with Black Uhuru, Sly & Robbie, Sean Paul, Grace Jones and the B-52's and now owns a studio of his own in Kingston called Steven Stanley Recording Studio.
Sunday, October 16, 2011
Weekend Calypso Treat #4 - Annie Palmer
Annie Palmer was named the White Witch Of Rose Hall due to the fact that she was purported to have practiced voodoo and tortured and killed many people including three of her husbands and a long line of male slaves who she used for sexual purposes and quickly offed when there was fear she would be discovered.
The tune you're going to hear, "Annie Palmer" was featured in last years Spooktacular but not in the same form. Last years song was a ska version Gloucester "Danny" Hill cut in 1964 for producer Neville Foo Loy, this one is a mento version recorded years later and featured on an LP called Rose Hall Calypso from the 70s. Not technically calypso but close enough!
The tune you're going to hear, "Annie Palmer" was featured in last years Spooktacular but not in the same form. Last years song was a ska version Gloucester "Danny" Hill cut in 1964 for producer Neville Foo Loy, this one is a mento version recorded years later and featured on an LP called Rose Hall Calypso from the 70s. Not technically calypso but close enough!
Saturday, October 15, 2011
Weekend Calypso Treat #3 - Obeah Wedding
Lord Creator (born Kentrick Patrick, circa 1940, Trinidad & Tobago) started as a calypso singer then moved to Jamaica in the late 1950s. He holds the distinction of being the first artist released on Chris Blackwell's Island Records in 1962 before moving on to record with Coxsone Dodd, Clancy Eccles and even Lee 'Scratch' Perry.
Friday, October 14, 2011
Jamaican Halloween Spooktacular 2011 - Track Ten - Ghost Hour
We're not going to get into the mysterious identity of King Horror because I explored that topic ad nauseam in my post Would The Real King Horror Please Stand Up, back in March.
We are going to get into the hell I had to go through to get this song for this years mix! The song you're about to hear is the missing piece of a puzzle that has nearly driven me insane since February. I learned of "Ghost Hour" a couple year back and after confirming it was in fact another of King Horror's schlocky, late night horror-host themed records, I knew I was in for an uphill battle trying to track this one down.
My struggle was going to be two-fold... first of all, "skinhead reggae" records usually sell for large sums and I'm definitely not in a position to be shoveling out stacks of cash for a 7 inch slab o'vinyl. Secondly, the record, originally pressed in 1970 on a white labeled 7" by Reggae/Doctor Bird records, was going to be virtually impossible to search for online. My only chance was to find it clearly identified and clearly priced beyond my budget.
I'm not exaggerating when I say that I would lie in bed at night wondering where I might be able to find this record and I came up with nothing. I went online and pleaded for an MP3 of the song on reggae forums, I posted it here hoping someone would be willing to send me the file, I even got my hopes up a couple months back when I heard that the b-side (or is it the a-side?) of the illusive record, "Leave Pum Pum" by Pama Dice, had been repressed. Unfortunately, "Ghost Hour" wasn't the flip!
I was just about to throw in the towel when the miracle of the modern internet finally allowed me to get some sleep! If you ask me where I got the MP3 for "Ghost Hour" I'll reluctantly have to plead the Fifth and refuse to answer on the grounds that I may incriminate myself...;)
Regardless ladies and gentlemen, it is with great pleasure that I present to you this years Jamaican Halloween Spooktacular's Tenth Track, King Horror's "Ghost Hour!" Have a great weekend and if you're in this for the long haul, I guess I'll see you tomorrow!
We are going to get into the hell I had to go through to get this song for this years mix! The song you're about to hear is the missing piece of a puzzle that has nearly driven me insane since February. I learned of "Ghost Hour" a couple year back and after confirming it was in fact another of King Horror's schlocky, late night horror-host themed records, I knew I was in for an uphill battle trying to track this one down.
My struggle was going to be two-fold... first of all, "skinhead reggae" records usually sell for large sums and I'm definitely not in a position to be shoveling out stacks of cash for a 7 inch slab o'vinyl. Secondly, the record, originally pressed in 1970 on a white labeled 7" by Reggae/Doctor Bird records, was going to be virtually impossible to search for online. My only chance was to find it clearly identified and clearly priced beyond my budget.
I'm not exaggerating when I say that I would lie in bed at night wondering where I might be able to find this record and I came up with nothing. I went online and pleaded for an MP3 of the song on reggae forums, I posted it here hoping someone would be willing to send me the file, I even got my hopes up a couple months back when I heard that the b-side (or is it the a-side?) of the illusive record, "Leave Pum Pum" by Pama Dice, had been repressed. Unfortunately, "Ghost Hour" wasn't the flip!
I was just about to throw in the towel when the miracle of the modern internet finally allowed me to get some sleep! If you ask me where I got the MP3 for "Ghost Hour" I'll reluctantly have to plead the Fifth and refuse to answer on the grounds that I may incriminate myself...;)
Regardless ladies and gentlemen, it is with great pleasure that I present to you this years Jamaican Halloween Spooktacular's Tenth Track, King Horror's "Ghost Hour!" Have a great weekend and if you're in this for the long haul, I guess I'll see you tomorrow!
Thursday, October 13, 2011
Jamaican Halloween Spooktacular 2011 - Track Nine - Midnight Organ
Regardless of whether an organist is mashing away on something as blatantly sinister as Chopin's "Funeral March" or lightheartedly bouncing his way around "Take Me Out To The Ball Game," the sound of a pipe organ has always given me the creeps. Not the creeps in the sense that I'm deathly afraid but just enough to make me feel edgy and unsettled.
I think a lot of this unease comes from the slightly "off" tone that music performed on a pipe organ has. The upbeat songs, regardless of their tempo and subject matter, have the tendency to just come off as teetering on the brink of insanity. The perception would also suggest that the man feverishly pumping those pedals and digging his way around those layers of keys is one wrong-note away from a straight jacket. I imagine a lot of my fears have not been helped by films such as The Phantom Of The Opera and Carnival Of Souls.
Now on the opposite end of the spectrum is the Hammond electric organ… regardless of the subject matter or the intended tone, the Hammond always sounds smooth and cool. Whether it's Jimmy Smith smoothly skipping his way through "I Cover the Waterfront," Booker T. & The MG's fluidly rocking their way through "Green Onions" or my all-time favorite Hammond organist, Jackie Mittoo, killing it with the super hip tune "Henry The Great," it always sounds good!
And unlike the pipe organists, the guys rockin' the Hammonds seem like the kinda guys you'd love to hang out with after their sets and have a few drinks. They seem less likely to savagely murder you in a pipe-organ-fueled, blood-soaked orgy of uncontrollable rage when they miss a breath-mark on their sheet music. I think hanging out with Jimmy Smith, Booker T and Jackie Mittoo may end with one hell of a hangover the next day but hanging out with a pipe organist may end with your dismembered body being buried in a shallow grave beneath their basement crawlspace.
Which leads us to today's Spooktacular tune… this one is called "Midnight Organ" by a Hammond organist named Jackie Taylor and released as a 7" in 1978 on the Solar label. Believe me, "Midnight Organ" has an evil and foreboding overall feel but with Taylor's style of play and with the Hammond itself, you can't disguise the hipness underneath!
I think a lot of this unease comes from the slightly "off" tone that music performed on a pipe organ has. The upbeat songs, regardless of their tempo and subject matter, have the tendency to just come off as teetering on the brink of insanity. The perception would also suggest that the man feverishly pumping those pedals and digging his way around those layers of keys is one wrong-note away from a straight jacket. I imagine a lot of my fears have not been helped by films such as The Phantom Of The Opera and Carnival Of Souls.
Now on the opposite end of the spectrum is the Hammond electric organ… regardless of the subject matter or the intended tone, the Hammond always sounds smooth and cool. Whether it's Jimmy Smith smoothly skipping his way through "I Cover the Waterfront," Booker T. & The MG's fluidly rocking their way through "Green Onions" or my all-time favorite Hammond organist, Jackie Mittoo, killing it with the super hip tune "Henry The Great," it always sounds good!
And unlike the pipe organists, the guys rockin' the Hammonds seem like the kinda guys you'd love to hang out with after their sets and have a few drinks. They seem less likely to savagely murder you in a pipe-organ-fueled, blood-soaked orgy of uncontrollable rage when they miss a breath-mark on their sheet music. I think hanging out with Jimmy Smith, Booker T and Jackie Mittoo may end with one hell of a hangover the next day but hanging out with a pipe organist may end with your dismembered body being buried in a shallow grave beneath their basement crawlspace.
Which leads us to today's Spooktacular tune… this one is called "Midnight Organ" by a Hammond organist named Jackie Taylor and released as a 7" in 1978 on the Solar label. Believe me, "Midnight Organ" has an evil and foreboding overall feel but with Taylor's style of play and with the Hammond itself, you can't disguise the hipness underneath!
Wednesday, October 12, 2011
Jamaican Halloween Spooktacular 2011 - Track Eight - To Hell And Back
Auguste Rodin's intricately sculpted doors you see pictured on the left are called the Gates Of Hell. Rodin worked on this project, inspired by Dante's Inferno, from 1880 until his death in 1917. Originally they were commissioned to be used for the entrance way to a proposed Decorative Arts Museum which was to be built in Paris but never came to fruition.
Impressive as they are, they make ones mind wander to the bigger question... is there really a gateway to hell? I would say the front door to my dentist's office is pretty damn close to the portal of eternal suffering and misery but that's just me. Now I'm not going to get all biblical here and the thought of even addressing the topic of religion that makes the belief in hell possible turns my stomach, so I won't go any farther.
Regardless of what you believe, the purported inscription above the gate to hell will serve as a nice segue into today's track. The inscription, "abandon all hope ye who enter here," is not exactly welcoming... but still appropriate above the dentist's office's entrance way if you ask me!
But I'm going to give you a piece of sound advice with today's tune that I want you store away in the back of your mind should you ever find yourself at the gates of eternal damnation. It's a simple two word antidote to the brimstone and fire that surely awaits you on the other side of that molten threshold... the word is Ken Quatty.
This is all speculation because it seems like every song I picked this year seems to be from artists who don't have biographies... Ken Quatty was a DJ in the mid to late 70s who recorded sparingly for a handful of producers. Quatty did some work with the vocal group Well Pleased And Satisfied but his alleged need for sleep put him at a disadvantage. Jerry Baxter, one of the founding members of Well Pleased, had this to say about Quatty in an interview on the website reggae-vibes.com...
Anyway, I'm not here to judge the man I'm here to give you kind people another spooky tune...
So without further ado, here is a rather slick tune from Ken Quatty from 1978 called "To Hell And Back." This comes from a 12" on the Heart & Soul label... enjoy!
Impressive as they are, they make ones mind wander to the bigger question... is there really a gateway to hell? I would say the front door to my dentist's office is pretty damn close to the portal of eternal suffering and misery but that's just me. Now I'm not going to get all biblical here and the thought of even addressing the topic of religion that makes the belief in hell possible turns my stomach, so I won't go any farther.
Regardless of what you believe, the purported inscription above the gate to hell will serve as a nice segue into today's track. The inscription, "abandon all hope ye who enter here," is not exactly welcoming... but still appropriate above the dentist's office's entrance way if you ask me!
But I'm going to give you a piece of sound advice with today's tune that I want you store away in the back of your mind should you ever find yourself at the gates of eternal damnation. It's a simple two word antidote to the brimstone and fire that surely awaits you on the other side of that molten threshold... the word is Ken Quatty.
This is all speculation because it seems like every song I picked this year seems to be from artists who don't have biographies... Ken Quatty was a DJ in the mid to late 70s who recorded sparingly for a handful of producers. Quatty did some work with the vocal group Well Pleased And Satisfied but his alleged need for sleep put him at a disadvantage. Jerry Baxter, one of the founding members of Well Pleased, had this to say about Quatty in an interview on the website reggae-vibes.com...
"Yeah well, Ken Quatty was a friend, just a friend. First I and him we start to sing along with a guy called Dion, we called him Lester. And we start together, the three of us. But every time I call Ken Quatty to really do like try sing the harmony for a song, he always says he's asleep - his older brother tell us that he's sleeping, so every time I go to his yard to pick him up to go to rehearsal, he's always sleeping. So I just say forget it, y'know."You know... on second thought, you may want to disregard what I said about remembering his name at the gates of hell... Ken Quatty will be too busy sawin' logs to help you!
Anyway, I'm not here to judge the man I'm here to give you kind people another spooky tune...
So without further ado, here is a rather slick tune from Ken Quatty from 1978 called "To Hell And Back." This comes from a 12" on the Heart & Soul label... enjoy!
Tuesday, October 11, 2011
Jamaican Halloween Spooktacular 2011 - Track Seven - Zombie Jamboree
Okay, we're going to mix it up a little by going mento with the next track in the 2011 Spooktacular!
This version of Zombie Jamboree isn't from mento's golden age in the 1950s it was in fact released in the late 70s. Not surprisingly, Mento records continued to be produced in an effort to appeal to older Jamaican tourists who probably found the undercurrents of struggle and strife in reggae music detrimental to the illusion that life outside their hotel or private villa was all picture perfect sunshine and smiles... but I digress.
"Zombie Jamboree" (AKA "Jumbie Jamboree" or "Back to Back") is the tale of a swingin' cemetery party for the undead and all the jovial merriment that ensues. By today's "Walking Dead" standards the idea of a civil zombie gathering seems absolutely ridiculous but regardless, it still makes for one hell of a tune! The original calypso song was titled Jumbie Jamboree, credited to Conrad Eugene Mauge, Jr. and originally recorded in 1953 by Lord Intruder... and for me to document all the various cover versions of the songs over the last 58 years would be grounds for another blog in itself. Maybe next year I'll do a mix with nothing but versions of Zombie/Jumbie Jamboree... or maybe I won't.
The Joy Makers, a band comprising of Abraham Lewis on lead vocal, Cyril Beckford on banjo, Zephiniah Taylor on rumba box and Count Moodie on guitar and harmonica, released this single from their album Jamaica Calypso Souvenir on the Sound Of Montego Bay record label.
This version of Zombie Jamboree isn't from mento's golden age in the 1950s it was in fact released in the late 70s. Not surprisingly, Mento records continued to be produced in an effort to appeal to older Jamaican tourists who probably found the undercurrents of struggle and strife in reggae music detrimental to the illusion that life outside their hotel or private villa was all picture perfect sunshine and smiles... but I digress.
"Zombie Jamboree" (AKA "Jumbie Jamboree" or "Back to Back") is the tale of a swingin' cemetery party for the undead and all the jovial merriment that ensues. By today's "Walking Dead" standards the idea of a civil zombie gathering seems absolutely ridiculous but regardless, it still makes for one hell of a tune! The original calypso song was titled Jumbie Jamboree, credited to Conrad Eugene Mauge, Jr. and originally recorded in 1953 by Lord Intruder... and for me to document all the various cover versions of the songs over the last 58 years would be grounds for another blog in itself. Maybe next year I'll do a mix with nothing but versions of Zombie/Jumbie Jamboree... or maybe I won't.
The Joy Makers, a band comprising of Abraham Lewis on lead vocal, Cyril Beckford on banjo, Zephiniah Taylor on rumba box and Count Moodie on guitar and harmonica, released this single from their album Jamaica Calypso Souvenir on the Sound Of Montego Bay record label.