Be sure to give it a listen!! It's shaped up to be a wicked day of music!!Click here to see the website in all its readably-sized glory!
Be sure to give it a listen!! It's shaped up to be a wicked day of music!!
We're taking a little trip to the B-side of some of my favorite tunes today! I was listening to some of my Volcano and Jah Guidance 45's the other night and as usual I was inspired by what I heard... classic stuff! What has always impressed me about Junjo's productions, aside from the veritable who's who of quality DJs and singers, is of course the superb Roots Radics Versions on the flip side! A lot of the Versions definitely surpass the A-sides in their timeless appeal! So with that in mind, I've decided it was time to start the ball rolling for an ongoing project here at Distinctly Jamaican Sounds... every now and then I'm going to pull a stack of tunes, rip the B-sides, mix 'em up, then share them with you. To me, these scratchy platters really capture the essence of what made "rub-a-dub" era such an amazing time in Jamaican music!
I don't know if you've checked it out yet but I was turned on to the Live 365 "station" Springline Jamaica a couple months back and I can't get enough! If you haven't given them a listen yet then shame on you... wicked selections and more importantly some good people who do it only because they want to share their love for Jamaican music.
Since Joe Gibbs passed away exactly a month ago and I definitely wasn’t on top of the breaking news I won’t go into the specifics of Sir Gibbs’ career – there are plenty of sites that succinctly sum up his life better than I ever could – I’m just going to take this space and explain why it took me so long to acknowledge this sad news, then I’ll quit my rambling and present the fruits of my nearly month long labor of love.
I heard of Michael "Mikey Dread" Campbell's passing last night while at a Gregory Isaacs concert here in Baltimore and was immediately saddened to hear the bad news. Campbell got a job as an engineer for the Jamaican Broadcasting Company in the 1970's. He wasn't particularly digging the amount of foreign music that the Jamaican network was broadcasting and after some dealings was able to start hosting his own program "Dread At The Controls" to showcase reggae exclusively. Of course the show was astoundingly popular throughout the entire island and it filled a void left by those "higher-ups" who sincerely believed that their listeners didn't want to hear homegrown music. Eventually the management at the station started to gripe, probably because the show's popularity damaged their fragile know-it-all attitudes, and by the time Mikey Dread quit he had established himself as a singer and producer and moved on to bigger and better things. Oddly enough Mikey Dread is well known outside of reggae circles for his work with the British punk group the Clash in 1980. 
John Holt, born 1947 Kingston Jamaica, was a regular at various talent contests by the age of 12 and in 1963 he cut his first single "I Cried A Tear" for Leslie Kong's Beverley's label. Between 1965-1970 he was the lead singer for the Paragons, who recorded countless hits for Duke Reid, and eventually set off on a solo career that has now spanned nearly 40 years. He is one of the few artists to successfully crossover into the world of pop music with love songs that appealed to the masses while continuing to record cultural music that continued to appeal to his fans at home in Jamaica. This is best exemplified with two songs in particular, both included in the mix, in 1974 he had a huge hit in Europe with the tune "Help Me Make It Through The Night" and just two years later scored big at home with the massive roots hit, "Up Park Camp" which is also in the mix. The man is versatile and in my opinion highly underrated so today I've decided to pay homage to this great singer by providing a sampling of some of his music. Read on...
Like all royalty, King Jammys (born Lloyd James, Kingston, Jamaica) began his reign as a Prince by building amplifiers and repairing electrical equipment in the Waterhouse area of Kingston and eventually running his own sound system. After a brief hiatus in Canada, where he concentrated on doing studio and sound system work for others, he returned to Jamaica with the intention of creating his own recording studio. The young prince got his big break by joining forces with the reigning King - King Tubby. It was under Tubby's tutelage where he received his education in mixing and by the late 70's he began releasing his own productions including the debut album from Black Uhuru. It has been written that since Jammy was in touch with the artists in the burgeoning dancehall scene and a keen sense of what was going to be popular.
I'm keeping it short and simple today... when I first read that Alton Ellis was about to undergo cancer treatment in London I immediately said a prayer for the man who has been revered by many as the "Godfather of Rocksteady." I then went to my music and put together an Alton Ellis mix. For once I wanted to give someone the praise they deserve while they are still among us instead of waiting until they're gone. Best wishes to Alton Ellis, his family and friends in this difficult time and I pray for a speedy and full recovery.
Here it is in its entirety... the complete uncut Distinctly Jamaican Sounds Christmas Mix 2007. With a running time of an hour and twenty five minutes I think you're going to have a hard time fitting it on one CDR but if you listen on your computer or on an MP3 player it shouldn't be an issue.
I've got 5 additional tunes to add some extra sparkle to your ears this Holiday season. And without a lot of fanfare I present to you the final installment of this years Distinctly Jamaican Sounds Christmas Mix!
Sorry for the delay... I wanted to get part 2 uploaded yesterday but I couldn't find the time. The closer we get to Christmas the more hectic things are getting... can you imagine?!
Here we go again... it's Christmas time and the goose is getting fat and all that jazz. Now it's time to get ready for some festive Jamaican Christmas tunes to liven up your Yuletide season! If you were here last December you'll know what to expect and if you're new I think you'll enjoy what I've put together for you. 10 songs today, 25 in total, that'll add some Caribbean spice to the bland diet of tired holiday tunes that we get force fed every year once December rolls around. I could go on and complain about how the retailers throw Christmas in our faces sooner and sooner each year but I won't... I'm keeping it festive! 
Now that Halloween is over and I've taken sufficient time off I figured it's about time to get off my lazy ass and get back to blogging and boy do I have a treat for you! We're going to take a slight right turn from the usual roots and culture lyrics I try to present here and get a little slack, or vulgar and or risque to those who are unfamiliar with the term. Today I'm featuring a mix of tunes from one of the most talented DJ's to ever pick up a microphone and though some may find his overt sexual themes a little harsh or inappropriate, his talent in delivering them actually transcends the subject matter."Echo was one of the first to challenge the predominantly 'cultural' approach of the majority of mid to late 70's DJs, and his influence on the upcoming DJs who made it big in the 80s was profound. He was one of the first DJs to be heard and fully appreciated on yard tapes as he tore up Jamaica on his own Echo Tone Hi-Fi set (he initially made a name for himself by chatting for the Gemini, Stereophonic and Ray Symbolic Sound Systems) and his preference for slack lyrics, particularly his timing and tone of voice, were very popular and widely imitated. Echo felt no compunction about stopping the music altogether if the vibes were right in order to tell a joke or two - a facet which endeared him even more to his followers."On November 22, 1980 the Kingston police force stopped a car General Echo was riding in and opened fire, killing him and two of his Echo Tone Hi-Fi crew. The cops never offered a decent explanation of why the shooting occurred but because of their, if you'll excuse my language for a word, fucking itchy trigger fingers the world was robbed of a talent who hadn't even begun to fully flourish.

The big day has arrived! I want to thank everyone who gave me all the positive feedback and hopefully now that you've all got the entire mix on your hard drive I'll be hearing more... what's that you say? You missed track 12 & 23? Well no need to despair... here is my little Halloween treat to those who may have missed something or joined us late and due to real life concerns were unable to download each individual track and even to those who'd prefer to hear the Spooktacular in all of its unedited glory...
Muhahahahaha! We've reached the end of the line kiddies, prepare to feast your ears on the ghastly, ghoulish delights of the final morbid melody in our Jamaican Halloween Spooktacular 2007. Your blood will run cold as a celebrated creepshow host rides an equally bone chilling reggae track and I believe it'll wrap up this season pretty succinctly. So listen... if you dare!Shock Theatre debuted in September of 1957 with Zach appearing as Roland, a crazy character who lived in a crypt. Charlie Vanda, the president of WCAU came up with the name and as Zach is quick to point out, the accent was on the second syllable -- Ro-LAND. Roland had an assistant named Igor, and his wife lived in a coffin. The wife was referred to as "my dear" and occasionally Roland would make her day with a well-placed thrust of a wooden stake. (The stake was actually driven into a bucket of dirt). Other times he would join her in the coffin while watching the evening's film with the audience. Another character was Gasport, Roland's son who hung formlessly from the wall in a burlap bag and moaned...
Roland opened each program by walking down the staircase and then reciting some little bits of info in a ghoulish voice. People who were regular Roland followers have said that Zacherle's performance at WCAU was usually more gory than broadcasts on WABC or WOR. For example, he would occasionally carry a basket down the stairs with him and reveal to the viewers that it contained a severed head complete dripping blood, which was actually, chocolate syrup.
...Originally, the program was aired in the 11:15 late night movie slot on Monday and Tuesday. However, the show was popular not only among adults but among children as well. Therefore, the program was moved to Friday and Saturday and Roland's popularity increased in leaps and bounds. At one point, there were in excess of 800 Roland Fan clubs in Philadelphia and kids could be spotted all over the city wearing large black buttons that said "Roland" or "l like Igor." Zach was even the subject of a feature article in the August 16, 1958, issue of Saturday Evening Post called "T.V.'s Midnight Madness."
... One of the more famous incidents at WCAU was the open house held at the studio, so that, all of Roland's fans could meet their hero. The executives at the station expected 1200-1300 people but realized that as many as 2,000 might show up. In actuality, 14,000 people showed up, stopping traffic throughout Philadelphia and damaging the WCAU facility. Needless to say, WCAU executives vowed to never hold another!"
We've reached the final Friday in this year's creepy countdown and it's a good one. I still have two songs left in the mix that'll be posted on Monday and Tuesday and on Wednesday, Halloween, a treat for all those who have been sticking around this month. But anyway... we'll get to that when the time comes."...the floor was concrete and the ceiling Gypsum. There were no (sound) acoustic rooms. We rehearsed and recorded in a section of the store at nights, after the store was closed.
I discovered Everard Williams and Alert Bedasse in 1955 after they recorded Night Food, I invited them along with their small Quintet to record exclusively for me. I then changed the name from Calypso Quintet to Chin's Calypso Sextet.
My recording machine used a cutting needle to cut groves into 78 RPM 10 inch vinyl resin discs. at that time 45s and LPs were not yet invented. The microphones I used were the large old ribbon types, RCA and Shure, they were very good, in those days there were no cassette, reel to reel, or eight track recorders, ceramic or crystal microphones, available in Jamaica. We were just leaving the gramophone behind, to play a 78 record in those early days on a Gramophone, you had to wind it up with a crank handle, then put a heavy metal head with a steel needle, which you put into it, on to the record.
The band consisted of a rumba box a bamboo saxophone, a Bamboo Flute a Banjo, a guitar, a floor bass guitar with four strings, a maracas and two heavy sticks called clave, which they knock together. All the instruments were made in Jamaica with local wood, bamboo and other things.
Bedasse was the song composer and singer, Williams was the lyrics composer, Williams also played the maracas and sticks as extra duty in the band, the saxophone player played the bamboo sax, and the bamboo flute, Bedasse played his guitar.
Most of my records were sent to Decca in England for mastering and pressing, some were done by the late Ken Khouri of the then Federal Records Ltd., some of my records went to Melodisc and marketed through Kalypso."